The Kinetics of the Figurative Meaning, an Approach to the Introduction of the Ruins of Pendants

(مُقاربة في المقدمة الطللية للمعلقات)

Abstract

This research provided an answer to the causality of photography in the ruins' introduction that spread in the pre-Islamic pendants by monitoring the effectiveness of photography, on the two sides of presentation and delivery, and their relationship to the general meaning of the commentary on the one hand, and their contribution to enriching interpretation on the other hand.Zuhair Ibn Abi Salma and Al-Nabigha Al-Dhubyani artistic's images included in the two introductions connect the two introductions with the main subject of each of the two commentaries, which led to the characterization of either poem by an organic unity.  While the analogy was effective in enriching the poetic meaning in the pendants : Imru’ Al-Qays, Tarfa bin Al-Abd, and Labid bin Rabi’ah, the analogy came in these three pendants on two levels, one of which is the comparison of external things to external things that are more familiar to the collective mind, and the second of which is the comparison of internal feelings with external things to embody emotions  The poet and his emotions in order to deliver them .