Sensory Formal Formation in Andalusian Nature Poetry

(Al-Badi’ in describing the spring of Al-Hamiri as a model)

Abstract

Penetration into the depths of the poetic text reveals the creative self and the external influences in it, and provides us with extensive knowledge about the course of time in her life. Which allows the poet to be creative in forming an image according to his own vision of the natural phenomena, and his feeling in it as well as the creative imaginative capabilities. The images, and the splendor of the pictorial formation for diving into the aesthetic row of the sensory formation, and the multiple poetic images, and the study tried to detect the formation of the images transmitted in the poetry of Andalusian nature according to this book, and it came distributed according to an artistic structure that begins with an introduction, followed by a prelude, and then enters the topic. The first one deals briefly with Nature poetry in the Andalusian era, the nature of its formation, its motives and its characteristics, distinguishing the most important artistic features that poured into this poetic genre. The second topic, which talks about the patterns of the image and the image formation in it, until it ends with the most important findings of the study, to conclude with a list of sources and references.